Lessons in entrepreneurship from grandmaster Magnus Carlsen

The history of chess is a history of metaphors and moral lessons. Underlying a game of chess is an abstract structure of rules and relative powers, which can be quite mind-boggling. The game emerged in C5th India, but it wasn’t until the C19th, when the set was standardised into the Staunton version we play today.

To follow a professional game is to get lost in a swamp of algebraic options and notations. When the 13-year-old Bobby Fischer sacrificed his queen against Donald Byrne in the so-called ‘game of the century’ in 1956, it was considered one of the finest moves in chess history – a greatness not quite communicated by Be6

Chess is an endless pursuit, a game of longevity with logical consequences and sly entrapment. After sacrificing his queen, another 24 moves later, Fischer won – a result, he’d worked out, that was inevitable if he let his queen go. It was sacrifice that was also attack, violence that was also composure.

When a chess player looks at the board, he does not see a static mosaic, but a magnetic field of forces, charged with energy, potential and intrigue. A game of chess opens in a state of equilibrium, and if the optimal move is made with each play, a draw is all but assured. At the elite, grandmaster level, more than half of contests are drawn.

Sven Magnus Øen Carlsen is a Norwegian chess grandmaster and the current World Chess Champion. His peak Elo rating of 2882, achieved in 2014, is the highest in history. Carlsen became World Champion in 2013, retained his title the following year, and won both the World Rapid Championship and World Blitz Championship thus becoming the first player to simultaneously hold all three titles.

Magnus tries to put the accent on play, less on preparation, and is seen as combining the talents of two of the all time greats, Karpov and Fischer. He’s known for getting his positions then holding on with a bulldog bite. Exhausting for opponents, one of his most feared qualities is his ‘nettlesomeness’ – his creative moves pressurise opponents into mistakes. Carlsen’s endgame prowess has been described as among the greatest in history.

The World Chess Championship of 2018 began with a series of twelve games played under classical time controls, the traditional slow pace of play. Carlsen failed to win a single one of his contests against the challenger, American Fabiano Caruana, but fortunately for the Norwegian, Caruana never reached a checkmate or extracted a resignation either.

With each of the dozen classical games ending in a draw, the match moved to a series of faster-paced tiebreakers, starting with a series of four ‘rapid’ games, in which players are allotted less than one-quarter the thinking time of the classical format. Carlsen, the stronger competitor in speedier formats, won the first three games to clinch the tiebreaker and retain his title.

To the casual observer, three weeks of drawn games may sound excruciatingly boring, but like a football match with smart, impregnable defences, or a baseball World Series studded with scoreless pitching duels, the chess title match featured two equally matched grandmasters competing at an extremely high level.

In chess, every piece serves a purpose. You start the game with a set of pieces, from king to pawns, each with their own ability and position. Novice players push forward immediately with their back row, trying to get their most valuable pieces into win positions early. Experienced players, however, know that it is the pattern of all their pieces working in concert that creates reliable success.

Master chess players see the unfolding patterns of the board over time, thinking not in terms of one piece or one move, but in terms of the entire board over dozens of moves. This ability to analyse actions and their outcomes, combined with skilled pattern recognition, is what defines strategy.

The objective is to play the board, not just your plan. When playing chess your opponent is trying to predict and undermine you, applying their own strategy to capture more pieces, so, what do you do? One crucial skill is the importance of taking time for reflection. It’s in reflection that the brain has time to learn, to process new information, to recognise patterns, and recall previous successful moves.

I see many similarities between chess and running a startup business from the strategy, thinking and tactics behind the game. Let’s look at the lessons and learnings we can take from Carlsen and his recent Word Championship success.

The first phase in a chess game: the opening As Carlsen shows, the purpose of the opening isn’t just to get immediately ahead, rather it’s to set the stage for the type of middle game you want. This can also mean manoeuvring for the type of game your opponent doesn’t want. The openings are the only phase in which there is the possibility of unique application, you can find something that no one else has found. Be first, and be brave is the lesson for a startup, but equally don’t rush.

The second phase: the middle game What sort of middle game is our opening going to lead to? Is it one we are prepared for or have our opponents out foxed us and we’re playing catch-up? We must also play the middle game with an eye on the endgame. In a startup it’s important to have a strategy, tactics and a game plan thinking in period of three months, with objectives and key milestones.

Dream a little, don’t settle automatically for routine solutions The paradox of chess is that there is a routine set down by mathematics to make a strong move based on its objective merits. But recall Carlsen’s approach is a combination of freedom and discipline, sober evaluation and calculation mixed with outlandish ideas.

In a startup, you won’t find new ways of solving problems unless you look for them and experiment and have the nerve to try them when you find them, but ensure flair doesn’t mean or you spend your life making beautiful blunders.

The future is a result of the decisions you make in the present The strategist starts with a vision of the future and works backwards to the present. Carlsen makes the best moves because they are based on what he wants the board to look like ten or twenty moves ahead. This doesn’t require the calculation of countless twenty-move variations, but an evaluation where his fortunes lie in the position and establishes objectives. Having a vision for your startup is just as important.

Intuition & analysis Even the most honed intuition can’t entirely do without analysis. Intuition is where it all comes together – our experience, knowledge and judgement – or even hunches. But it doesn’t matter how far ahead you see if you don’t understand what you are looking at before you, so combine the two. No matter how much practice you have and how much you trust your gut instincts, analysis is essential.

Attack An attack doesn’t have to be all or nothing, or lightning quick. Sustained pressure can be very effective in chess, and creating long-term weaknesses in our opponent’s position can lead to a win in the long run. One of the qualities of a Carlsen is his ability to get the maximum out of a position without overstepping and trying to achieve more than what is possible.

In chess, the defender has to race around to cover the threats, but against constant pressure the job soon becomes impossible. Moving to cover one breach creates another until something cracks and the attack breaks through.

In chess we have the ‘principle of two weaknesses’. It’s rare to be able to win a game with only a single point of attack. Instead of becoming fixated on one spot, we must exploit our pressure to provoke more weak spots. So a large part of using the initiative is mobility, flexibility and diversion. In business, it’s a combination of product, service and price that creates a winning position.

Initiative Once you have the initiative you must exploit it. Carlsen reminds us that the player with the advantage is obliged to attack or his advantage will be lost. In business, a lead in initiative can be converted into a sustainable position. Being a step ahead means we can keep our competition off balance, shifting and moving in order to provoke weaknesses.

In business, going on the front-foot requires perfect timing as well as nerve. The window of opportunity is often very small, as with most dynamic situations. No neon sign appears to say that there is a big opportunity right around the corner, so balance opportunity with rationale – back to the combination of freedom and discipline in your game plan.

When you are winning, don’t get complacent Winning creates the illusion that everything is fine, success is seldom analysed as closely as failure and we are always quick to attribute our victories to superiority, rather than circumstance. When things are going well it is even more important to question. Over-confidence leads to mistakes, a feeling that anything is good enough. Our egos want to believe that we won brilliantly against tough competition, not that we were lucky and ‘right time, right place’, but typically, however, the winner is just the player who made the next-to-last mistake.

Carlsen shows that if we’re going to get the most out of our talent we have to be prepared to have a game plan, practice, think on the spot, analyse ourselves critically and improve our weakest points. The easiest thing is to rely on talent and focus only on what we do well. It’s true that you want to play to your strengths, but if there is too much of an imbalance growth is limited. In business, the fastest way to improve overall is to work on your total game, and all the constituent parts.

Chess is a mental game, that requires vision, tenacity, thoughtfulness, and multiple tactics. From this we can take the thought that in a startup we can look for ways to experiment and to push the boundaries of our capacity in different areas, it really is a combination of disruptive and disciplined approaches, and agile thinking that will bring success.

Time is an ingredient in all entrepreneurial endeavours

Entrepreneurship is an endeavour that often requires clear mind-space for contrarian ideas, possibilities on the edge of their time, and creation of something that has not yet been.  Every once in a while, a new technology, an old problem, and a big idea turn into an innovation.

Innovation comes out of great human ingenuity and personal passions, it’s the specific instrument of entrepreneurship. The great thing about entrepreneurship is that there are few limitations when you are equipped with the right mind-set.

So a creative mime artist and a tablet toting spreadsheet loving tech entrepreneur walk into a bar – it doesn’t have to be the start of a joke – but the meeting place for a creative teaming experience that can lead to great success and inspiration for all.

You can be a street artist, an author, a dancer, a chef – there are no boundaries on being an entrepreneur, it’s an expression of self. We don’t always associate chefs with entrepreneurship, but they are as much entrepreneurs as product inventors or app developers.

Imagine you are a chef for a moment. In front of you is a blank canvas of ingredients, sat on the kitchen worktop, awaiting your spirit to infuse them with life. Right beside you are your creative tools. It’s a simple set up, but combined with the human imagination and an ability to execute, has the makings to create a unique piece of work with the power to inspire.

What chefs do is take an idea and manifest it into reality. They take a vision that existed nowhere else but in their own mind, and actualising it into reality through their work. That’s entrepreneurial thinking.

On May 10, 2013, Dominique Ansel did just this. He started selling a croissant-doughnut hybrid, which he called the Cronut, from his bakery in New York’s Soho neighbourhood. The pastry resembles a doughnut and is made from croissant-like dough, which is filled with flavoured cream and fried in grapeseed oil.

On that night, a blogger from Grub Street, the online restaurant blog fro New York magazine, reported on the new pastry. The post resulted in much interest – 140,000 links to the blog post. The first day Ansell made 30, the next, 45. By the third day with than 100 people queuing, the line stretched back over four blocks.

It took him three months and more than ten variations to perfect the recipe he’s used ever since. Nine days later, he’d registered the pastry’s name as crowds of people were queuing around the block to try the new innovative delicacy.

With its flaky croissant and custard interior and fried, sugar-dipped exterior, it was bound to be popular, but no one could have predicted the ensuing, pastry-flecked frenzy. The not-so-secret Cronut recipe is now plastered all over the internet, but would-be imitators will need their piping bags and patience at the ready – it takes three days to make, thanks in part to the laminated dough. This is rolled together with a block of chilled butter to form layers, and needs a lengthy rest in the fridge.

Ansel takes things to the next level, however. Each batch of Cronuts takes Ansel and his team approximately three days to prepare. Day one consists of mixing the dough, then letting it ferment and rest overnight. Day two, butter is incorporated, and hundreds of sheets of dough are layered together before the dough rests again.

On day three, the dough is cut, formed into the Cronut shape, and left to ferment again. Once each has tripled in size, Cronut by Cronut is fried in grapeseed oil, filled with cream, rolled in sugar, and finished with a glaze. The secret of the Cronut has been solved. It takes three days and a lot of sugar, butter and graft.

And he’s not just a one-trick pony. There’s the DKA, his take on a Breton pastry, which is a caramelised croissant, with a soft flaky interior. There’s the frozen S’more, an ice-cream block wrapped in chocolate, then enrobed in marshmallow and frozen. There’s his soufflé inside a brioche shell and his shot glass fashioned from chocolate chip cookies. Ansel is the king of happy bakers.

The creator of Cronuts isn’t just a baker. Dominique opened his little bakery with just four employees five years ago. Flash-forward to 2018, hundreds of creations later, a sister shop in the West Village and now across the world in Tokyo and London. He’s as much an entrepreneur as any tech rock star.

Prior to starting his own business, Dominique was executive pastry chef at Daniel Boulud’s flagship French restaurant in NYC. During his six years there, he was part of the team that led the restaurant to receive its first four-star New York Times Rating and three Michelin stars. He also spent seven years at the venerable French bakery Fauchon, where he lead the charge of international expansion and helped set up shops in Russia, Egypt, Kuwait and other locations around the world.

Despite his ritzy resumé, the ‘Cronut King’ comes from humble origins. The youngest of four children, he grew up in Beauvais, about an hour north of Paris. His father was a factory worker, and the family couldn’t afford college, so Dominique began working at 16, training to be a chef and saving money.

At 19, he left home to complete a mandatory year of service in the French military, where he worked as a cook. After returning home he headed to Paris, not knowing anyone, and landed the job at Fauchon, where he quickly worked his way up from a temporary holiday season staffer to traveling the world and being in charge of international expansion.

With his unstoppable creativity, the New York Post proclaimed him the Willy Wonka of NYC, Food & Wine called him the culinary Van Gogh of our times, the most feted pastry chef in the world. With successful bakeries in London and Tokyo following New York off the back of the Cronut, he must be doing something right. a croissant-doughnut hybrid that became the most virally popular pastry of its time.

Dominique Ansel is undoubtedly one of the most celebrated and innovative pastry chefs in the world and for good reason. He combines craft, complexity, surprise, presentation, contrasting textures, and wow factor into his creations. I think his self-starter ambitions and product innovation provides some great entrepreneurial lessons we can take from his craftsmanship.

Time as an ingredient In addition to focusing on ingredient quality and freshness, original flavour and texture combinations, and fun, novel presentations – an aspect Dominique obsesses over – it takes three days for a Cronut to be prepared, then it’s vital each is served at the optimal moment of peak temperature, lightness, and flavour. It was the first time I’d heard of time described as an ingredient, but it made total sense, and it is one of his guiding themes. Timing is everything for all entrepreneurs.

Put emotion into products One of the screening criteria for what makes a product onto his menu is that the item evokes emotions, often nostalgic emotions tied to childhood, like the warm madeleines that Proust wrote about, or memories of summer camping the Frozen S’mores evoke, or the memories of milk and cookies after school his milk filled chocolate chip cookie shots evoke, or the traditional little pastries from Bordeaux, France called cannelés. Emotion engages customers is a key lesson.

Multisensory innovation Ansel’s creations have textural and temperature contrasts, like the liquid milk and soft cookies, or the S’mores with the soft honey marshmallow exterior, smooth and creamy ice cream inside and the crisp chocolate feuilletine that separate the warm marshmallow exterior from the cold, creamy ice cream inside. Capturing the customer’s imagination is vital for a startup with a new product to market.

Continuous product iteration Ansel’s is always searching for ways to make his products even better, he subscribes to the notion, and works in an environment where the products can evolve on the fly. This is a luxury other product categories can’t to the same degree, so gives him advantage. Build a culture where there is a focus on continuous development and iteration.

Be a relentless learner Ansel’s evidences the appetite for learning that is seen in many successful entrepreneurs. Given how accomplished he is, you’d think there wasn’t much room for improvement, yet he feels there is so much more to try and do and create in his field. Build an ethos to always keep moving, innovating, learning, and growing.

Use your team as a source of new ideas Ansel constantly brainstorms with his staff. The menu changes every 6-8 weeks, so the teams are always coming up with new ideas together. He schedules regular tasting with to give feedback on new menu ideas and what ultimately ends up being added. Use your team’s knowledge and experience as a source of innovation.

Combine ideas The Cronut pastries are not only a creative take on donuts and croissants, but also French and American cultures, combining a classic French pastry with America’s love for the familiar flavours of a caramel, chocolate and peanut combinations.  Keep an on open mind to serendipity.

Be authentic Ansel is an expert at the basics of pastry cooking as a foundation for innovation. If you study the early works of great contemporary painters and architects, like Picasso and Frank Ghery, they mastered the classics of their craft before they started to routinely innovate.

Dominique trained in classic French pastry, it’s an invaluable knowledge he brings to bear in deviating on traditional classics. Build your business on solid foundations before flying off at a creative tangent.

Trust yourself Dominique Ansel is always thinking broadly, about all the different ways he can innovate to make the experience of visiting his establishments special, different, memorable, and wonderful. In a recent interview, he was asked: ‘How do you know that what you’re doing is right?’. There was an awkward silence. Dominique put his hand on his heart and replied, in a serene, untroubled tone: I just know.

Ansel is dedicated to finding new ways to surprise, delight, and inspire through his desserts. With innovation and creativity at the heart of his work, he has brought a refreshing uniqueness to the world of pastry. Voted the World’s Best Pastry Chef in 2017, as well as being honoured with the prestigious Ordre du Mérite Agricole, one of the highest honours in France, he is a true entrepreneur, always thinking about how he can touch people with food in a different way to stimulate them.

His bakery restricts daily Cronut output to around 350 per day, and though the line has shortened considerably, there will still be, on average, between 60 and 100 people waiting in the Cronut line when the doors open every morning at 8am.  There is a new Cronut flavour every other month – there have been 36 since its debut on the menu.

We live in an age where you can make anything possible. If you have an idea, just go for it. Don’t wait for the perfect opportunity, because the perfect opportunity is now.

Lessons in entrepreneurship from Inspector Morse

When I read my first Enid Blyton Famous Five mystery at six years old I was hooked on crime and detective novels. By the time I was in my early teens, I was working my way through the Sherlock Holmes stories and my mum’s collection of Dick Francis books, adding to those each birthday and Christmas when I received book tokens.

On top of that, every time I visited a jumble sale I’d be stocking up my bookshelf, devouring the likes of PD James and Raymond Chandler. Latterly the Ian Rankin novels around the Inspector Rebus character are my must-reads.

To this day, I’m unable to walk past a second-hand bookshop. Crime novels put the balance back in life – the bad guys get their comeuppance and the good guys win after solving the puzzle. You know that the villain will be apprehended by the time you reach the last page, the detective will have solved the mystery, and all will be right with the world.

But it’s the excitement between the first page in the last and trying to work out who the bad guy is, or how they will be stopped, before the detective does. Crime novels puts puzzle-solving at the centre of everything, stocking up on clues but never quite giving all the answers. The reader is driven by quests for conclusive information and happy endings.

The skills of a good detective mirror some of those of an entrepreneur – active listening, critical thinking, problem solving, and good observation skills, combined with astuteness and intuition to develop insights quickly by piecing together myriad pieces of information to see a pattern or picture.

My favourite detective character is Inspector Morse, which was a popular television series based on the novels by Colin Dexter. It starred John Thaw as Chief Inspector Morse, with Kevin Whately as his assistant Sergeant Lewis.

The first of the Morse novels, Last Bus To Woodstock (1975), was written by Dexter because with his wife Dorothy and children, he was on holiday in North Wales at a time when the rain never stopped. Thoroughly miserable and bored, he read both the detective novels in their holiday accommodation, and decided that they were not much good and thought he could do better.

Over the next 18 months, he carried on writing the book in longhand, and had it typed up – as he did all his future novels. Once he found a winning character and setting, Dexter resigned from his teaching post and set about writing Morse novels for a living. There were thirteen novels in the Morse series, four of which won awards. The last was The Remorseful Day (1999), in which he killed Morse off.

Dexter gave Morse an idiosyncratic character with his own interests – a fondness for Mozart and Wagner, pleasure in cryptic crossword puzzles, real ales and single malt whisky. Morse’s first name, Endeavour, is revealed on only one occasion, when he explains to a lady friend that his father was obsessed with Captain James Cook, so he was named after HMS Endeavour.

Morse was a brilliant detective, but unlike many classic sleuths, he often struggled with his cases. Curmudgeonly but entertaining, Morse solved murders by deep thinking, often stimulated by ironic circumstances and chance remarks made by his sidekick Lewis, which gave him inspiration late in the day to bring the case to an end.

He was a highly credible detective despite ignoring forensic science and not being able to stand the sight of blood. He had a penchant for drinking while working, and subsisted on quickly downed pints of ale in pubs, usually bought by Lewis, who struggled to keep up.

Morse was all about observation and gave the utmost importance to details. His strategy was simple – observe, deduce and eliminate the impossible, whatever remains, no matter how mad it might seem, must be the truth.

Observance is a great tool for an entrepreneur to notice the detail and trends in a market, then knowing when and where to tap into an opportunity. You need the eye to see what others don’t and utilise it before everyone else does. The traits of an enquiring mind, stimulating exploration and discovery constitute significant activities for entrepreneurs, with their instinct, curiosity and search for solutions to problems.

Like detectives, entrepreneurs search for a hidden truth. Even with a breakthrough for a new product, you will need to understand what will be required to get customers to buy and pay for it. Often there are incorrect assumptions masking the path to success – it’s not the things we don’t know that get us into trouble, it’s the things we think we know that aren’t so.

Before entrepreneurs begin working on their business venture, they need to do some detective work on the market, customers, pricing, marketing etc. Entrepreneurs who do their delving before setting up a new business are more likely to succeed in the long term, rather than launching blindly.

So how can we train our entrepreneurial brains to think like Morse, with his detective behaviours and habits for investigation, deductive scrutiny and problem solving?

Be observant, and keep your mind sharp What makes Morse great is that he notices things that others miss – a key skill of entrepreneurs. Often the solution is right in front of our eyes, but some miss it. Sherlock Holmes once said It is my business to know what other people don’t know. To be valuable in startup business, you have to know what others don’t.

Morse thought useless information in his brain was like having boxes of junk in the attic, it only makes the stuff you need harder to find. Cluttering your mind with peripheral distractions can derail your focus, so keep your mind sharp and orientate simply on the matter in hand.

Remain objective Morse is impassive while on a case, he only looks at what the evidence suggests. He only speculates to create a hypothesis to test assumptions, not make decisions. Whether it’s a tight customer negotiation or a tough staffing decision, emotions can be your enemy in business. Be objective in your dealings and don’t let emotions cloud your judgment.

Always be imaginative Morse thinks outside the box, that is he pieces together seemingly ordinary and unrelated elements of a case into a cohesive story. One of the key requirements as a startup is to constantly innovate and separate your business from the pack, being distinctive requires a constant stream of good ideas and weaving them together to form your own story.

A mediocre detective, is one who fails to imagine new and different possibilities. Morse, on the other hand, has learned to look at data and recombine it in ways that will suggest new possibilities. Is my mind still open? Morse asks. Does this data somehow make me think of new ideas? In business, think of new approaches, think of things that you hadn’t thought of as possibilities and test them out.

Observe the details, pay attention to the basics When Sherlock Holmes famously quips that the solution of a case is elementary, he’s not simply dismissing the detective work as easy. Rather, he’s talking about elements, the essentials of a situation. As a physicist begins with the laws relevant to a problem, a detective begins with the framework, structure and facts of a case before adding in interpretation.

Likewise Morse, he can tell you a person’s entire story and background after the first meeting! He takes the meaning of due diligence to another level using his intuition, lateral thinking and rapidly draws conclusions from the known facts. He is mentally agile, confident in making decisions quickly.

Say it aloud Morse talks to Lewis about everything. The telling helps, it’s ‘thinking outloud’. Nothing helps clarify your thinking more than stating it to another person, it forces reflection. It mandates mindfulness. It forces you to consider each premise on its logical merits, allowing you to slow down your thinking.

Give yourself distance and quiet thinking time When Morse is dealing with a particularly thorny case, he occupies himself with another activity, for example, taking time out to deliberately listen to music. He also drinks, but that’s not a necessity! This is a way for Morse to constructively distract himself from his thinking, to sort through his thoughts, check in and reflect, packing and unpacking in a positively distractive way.

If you’re out there detecting all the time, you need to give yourself a break. It’s not just about getting some rest, the key is to allow your mind to filter the important observations from the inconsequential ones. Solitude gives you the opportunity for ‘quietness of mind’, to simply sit and think in peace and quiet.

Be actively passive when you’re talking to someone When Morse is listening to somebody, he’s not fussing with his iPhone. Morse focuses all of his faculties on the subject of observation and the conversation. He listens, as is his habit, undistracted by any other task. When he meets with someone, his total absorption in their presence is absolute.

Taking the leap into the rollercoaster ride that is entrepreneurship, it’s all too easy to do the easy things, however, if you’re serious about doing your own thing, it’s time to get comfortable being uncomfortable. The real work you should be doing is asking yourself the difficult questions, those that typically mean looking outwards for the answers, and nothing is more important than testing your idea by collecting evidence.

Great entrepreneurship is a magic formula of skills, timing, hard work, and luck.  You have to parse all the facts, just like a detective looks at a broad range of facts – some circumstantial and some deductive – to deduce who committed the crime, as to whether a venture can progress.

Looking at his character, Morse had all the ingredients for being a disaster – he drank too much and was highly irregular in his investigation methods. But what rescued him time and again was his disciplined process and intelligence-lead approach, which allowed him to spot clues where none had seemingly existed.

Like an entrepreneur, he had his idiosyncrasies and own way of doing things. One quote attributed to him captures this entrepreneurial flair underpinning his detective instincts: The secret of a happy life, Lewis, is to know when to stop and then to go that little bit further. I stumble about. That’s what I do. Sometimes I stumble in the right direction.

Entrepreneurial learning: every silver lining has a cloud

Elon Musk has been subject to a wave of self-created criticism lately. His claim that he had a deal to take electric-car maker Tesla private at $420 a share, his ongoing Twitter spat with the cave rescuer of a youth soccer team in Thailand, and his joint-smoking appearance on a radio podcast have made him look vulnerable, troubled and tarnished his reputation.

Despite the ensuing turbulence and apparent flaws in his ability to control his emotions, Musk remains one of the most vital entrepreneurial talents we have today. His ingenuity and dedication continuously bring fresh and progressive ideas to bear. Solar City, Tesla and SpaceX – all his ventures have a bright, if challenging future. He is the world’s most daring entrepreneur and a rare business leader who is interested in mankind as a whole and wants to explore how tech can change the world we live in for the better.

Musk sold online payments firm Paypal for $1.5bn ten years ago and has evolved into an iconic entrepreneur, capturing the public imagination as a crazy-mad-genius figure – part industrialist, scientist, philanthropist, superhero, known for his ability to come up with out-of-this-world ambitions and then pursue them with vigour, emotion, intelligence and self-discipline – until now, maybe.

Most take Musk’s wild ambitions and boasts about the future he will create with a pinch of salt. His companies have missed deadlines and recorded massive financial losses. However, the popularity of Tesla’s electric cars, and the launch of Falcon Heavy earlier this year capped a string of successes that make you think, maybe he can pull this off.

Musk is the epitome of entrepreneurial bravado, endeavour and ego, human folly and genius rolled into one. Musk’s adventures are vibrant and audacious, but there has never been a time when the spirit of innovation hasn’t been burning bright and yanked back, when each of his ventures facing crisis and things not going in his favour.

For Musk, every silver lining has had a cloud. His career is overflowing with setbacks. Very few people could bounce back from being ousted as CEO of their own company and getting fired while on honeymoon (Paypal), and survive a major car crash, personal bankruptcy and cerebral malaria. As much as his hits inspire, his misses offer valuable lessons to startup founders everywhere.

His passion found its calling when in 2004, Musk invested heavily in Tesla, founded a year earlier by Martin Eberhard and Marc Tarpenning. Tesla is a quixotic venture, a niche electric car company in a nation addicted to petrol. Having received hefty Government bailouts, in 2010 it became the first American car company to float on the stock market since Ford in 1956, and his focus on renewable energy solutions kicked in.

Musk is an irrepressible Howard Hughes like figure, but his timeline reveals a whopping sixteen failures since 1995 on his journey to date. That’s nearly an obstacle every eighteen months, at least one every other year – Space X had sixteen successful launches in 2017, but then Tesla recalled 123,000 cars in 2018.

Musk’s hurdles relay a documentary of epic failures, but he’s endured, so how did he turn things around? We know all about resilience – the stories of James Dyson (he spent five years working on a prototype for his bagless vacuum and built 5127 prototypes which just didn’t make the cut) and Joanne Rowling, with twelve rejections of the Harry Potter scripts.

Professor Melissa Schilling, from New York University’s Stern School of Business, has been watching Musk’s escapades and recorded her thoughts about him in Quirky: The Remarkable Story of the Traits, Foibles, and Genius of Breakthrough Innovators Who Changed the World.

Musk is one of eight innovators whose traits, foibles and genius she focused on – together with Albert Einstein, Benjamin Franklin, Dean Kamen, Nicola Tesla, Marie Curie, and Steve Jobs. What made these folk so spectacularly inventive? Schilling illustrates the following traits these innovators –

Grit They all had grit. Their successes seem to have been attained through sheer force of will, investing remarkable effort and persistence in executing their ideas, often in the face of failure and opposition. Every breakthrough innovator demonstrates extraordinary unrelenting effort and persistence.

Work ethic They pursue their projects with remarkable zeal, often working extremely long hours, sleep less and at great personal cost – Musk has been divorced three times. Most of them worked tirelessly because they found work extremely rewarding and experience the pleasure of ‘flow’ from working incredibly hard (i.e. work was autotelic, rewarding for its own sake).

Self-efficacy The eight studied all exhibited extreme faith in their ability to overcome obstacles from an early age. Steve Jobs had a ‘reality distortion field’, such great faith in his own capacity for reasoning and insight that he felt free to disregard the ‘rules’ that constrained others. This faith in themselves enabled them to think big, fearlessly tackling projects that seemed impossible to others, believing in their ability to overcome obstacles.

Almost all of these innovators exhibited what would have been considered hubris, except that once they deliver on something, it’s not considered hubris anymore, it’s considered self-efficacy. They almost all were considered quite arrogant. Even Marie Curie was considered arrogant, not in an outspoken way like Jobs or Musk, but arrogant in that she was going to persist in doing things despite the fact that, as a woman, she wasn’t particularly welcome in business or science.

Self-reinforcing effect Perseverance and self-efficacy can be self-reinforcing: those who persevere at tasks are more likely to accomplish them, reinforcing their confidence in their ability to achieve what they set out to do. Numerous studies have shown that self-efficacy can lead to greater risk-taking and entrepreneurship.

Idealist All are driven by passionate idealism, a consuming goal that was more important than their own comfort or reputation. Idealism helps focus innovators by making their long-term purpose very clear, helping them to make choices among the competing demands of their attention. It also pushes them to work with intensity even in the face of criticism or failure.

Ego defence Idealism provides a level of ego defence. It helps the innovator to persevere in the face of harsh criticism that many people would find decimating. Idealistic innovators believe that the goals they are pursuing are extremely important and intrinsically honourable and valuable, so they are better able to disregard harsh judgment or failure as merely transitory burdens to be endured.

Having the mentality of a survivor, not a victim, when dealing with any potential crisis, is essential. Avoid thinking like a victim of circumstance and instead look for ways to resolve the problem. While the situation may be unavoidable, you can still stay focused on a positive outcome. Musk is notorious for his ability to press on with ideas despite what other people tell him. Naysayers abound when innovators want to try things nobody has ever done.

Be a constant learner Musk reads the way most people watch TV. Musk is the definition of a bookworm. An avid reader from a young age, when he was in grade school he was reading ten hours a day. All those studied by Schilling’s were fuelled by intrinsic motivation, a true love of learning and invested heavily in self-education, avid and omnivorous readers.

Self-education Following on from the above, all were avid consumers of knowledge, but they followed their own rhythms rather than structured teaching. A surprisingly large portion of breakthrough innovators are autodidacts and excelled more outside the classroom than inside. That is because they do not accept the norms. Norms of consensus are dangerous to innovation and reveal the advantages of helping people to embrace their weird sides.

High level of social detachment Many exhibit a marked sense of ‘separateness’, perceiving themselves as different or disconnected from the crowd. By not belonging, they were buffered from the norms that help to bring groups of people to consensus, and thus are less exposed to conventional wisdom, and their ideas can develop less influenced by those shared by the crowd. When an individual is not well integrated into the social fabric, there is less to lose by being unconventional.

So, please make yourself uncomfortable. Becoming a successful entrepreneur is never a straight line. There are lots of ups and downs and zigzags along the way. As it turns out, how you emotionally handle the downs is key. As Thomas Edison said, I have not failed. I have just found ten thousand ways that won’t work.

But what’s the fun of living a life when you know the outcome already and it’s steady away? Ok, if you never try, you never have to deal with the pain and hurt of failure I’ll give you that. But is that a reason to not do something? Life is also not a contest of ‘my problems are worse than yours’. If it’s attention that you want, get a dog.

There have to be reasons that you get up in the morning and you want to work. Why do you want to work? What’s the point? What inspires you? What do you love about the future you are creating for yourself?

Ever silver lining has a cloud as Musk has found out, but when something is important enough, you do it even if the odds are not in your favour.

Lessons in entrepreneurial thinking from Greek philosophy

Many of the everyday fundamentals of our Western lifestyles owe a debt of gratitude to the Ancient Greeks – democracy, drama, all-action blockbuster war epics, and lying around thinking about stuff, or philosophising as it’s known. All beloved activities in the Eastern Mediterranean 2,500 years ago, and all still popular today in our house – as well as other aspects of their culture including souvlaki, retsina, lashings of taramasalata and a big, chunky feta salad.

Greek dancing and plate smashing are optional and mostly accidental at home, but my affection for all-things Greek stems from the fact that I met my future wife as a student whilst on holiday in Corfu back in the halcyon summer of 1984.

A Greek holiday romance which blossomed to the sun drenched sounds of bouzouki, fuelled by dolmades and lashings of ouzo, and survived the return flight home, as did the irrepressible deities etched on some hideous cheap pottery bought as presents. Dôs moi pâ stô, kaì tàn gân kīnā́sō.

So every time we have Greek food – yesterday Moussaka’s had an extra fluffy topping of cheese and béchamel sauce – the Greek influence on our way of life and their pioneering attitudes once again came into my thoughts.

The Greeks were thinkers, half decent too, and there is no doubt Greek philosophy can help us understand more about ourselves as entrepreneurs. Accomplished entrepreneurs like Reid Hoffman and Peter Thiel credit their philosophy backgrounds for their success, and after all, many of the qualities that make outstanding entrepreneurs are the same for philosophers – both require clear, critical thinking and strong communication skills to socialise their ideas to a wider audience.

Although today’s entrepreneurs obviously live a very different way of life than Plato did, a lot of what he had to stay still applies to what we all long for: to be happier and more content in our day-to-day living. Three quotes from his writing struck a chord with me when thinking about this blog as being very relevant to startup thinking:

Wise men talk because they have something to say, fools because they have to say something With so many opportunities to voice your opinions online and in public these days, it can be difficult to just sit with your own thoughts. Plato reminds us that we should only speak when it is of benefit, and not just to toot our own horns.

The beginning is the most important part of your work. Make a start! All to often we put off doing good work and losing opportunities left, right, and centre because we never start. Fear stands in the way for some, but Plato encourages us to just get our hands dirty and see what transpires. Even if we fail, at least we know the outcome. Never starting doesn’t teach us anything.

If a man neglects education he walks lame to the end of his life. Entrepreneurial life is full of amazing things to learn and opportunities for new experience, but you have to take them. Don’t cut yourself off from all the things that are out there just waiting to be consumed and understood by you in your search for revenue, a startup is much more about learning than money.

Philosophers have a reputation for freewheeling thinking, open minded and thoughtful, but maybe metaphysical, lost in the context of their times, so is there any relevance for today’s startup entrepreneurs? Look again, I find that, in reality, the Greek philosophers were very realistic and pragmatic. They understood that things often go the opposite of the way that we want them to go, so they’re resilient, and it’s all about thinking things through and reflecting. Doing so will make you a more successful, thoughtful and self-assured entrepreneur.

As an entrepreneur, adopting some of these philosophical approaches can transform negative emotions into a sense of perspective and prepare you to have the right state of mind. At its heart it’s about controlling things, which are in your power to control and ditching the rest. So let’s look at the traits of Plato and others, and how we can benefit from their philosophical outlook on life for our startups.

They love of debate An important trait that all philosophers have is the ability to follow an argument all the way to the end. As an entrepreneur, it’s an essential skill, for example, if you’re sitting in front of a potential customer.

Equally, healthy discussion becomes more important when your business starts to grow, debate is often the key to finding the most effective course of action from a range of options. Encouraging your team to share a different point of view is healthy. Remember, you’re not trying to win arguments (‘be right’), rather, you’re trying to find the best path forward (‘get it right), so embracing other perspectives is powerful.

They’re comfortable with the uncomfortable As an entrepreneur, you have to make decisions on issues that aren’t always conveniently shaped in black and white,  you have to get comfortable working in an environment of uncertainty and unknowns – if you want a guarantee, buy a toaster.

It’s a steep learning curve ploughing your way forward in a startup, but for philosophers, ambiguity is nothing new. Embracing it teaches you to manage uncertainty and stay calm. As an entrepreneur, you’re always, in the words of Walt Whitman, conquering, holding, daring, venturing.

You’ll likely spend a lot of your time operating in the unknown, so you’ll need to be able to tolerate ambiguity. Next time you find yourself at a fork in the road, think about making a decision with 51% confidence, simply look at the balance of outcomes and make a judgement call. While it’s not ideal, it’s far better than procrastinating and waiting for ideal or easy solutions that never present themselves.

They see the big picture in the smallest details If you can’t see the big picture, you’re lacking direction and consequently can end up going randomly anywhere, wasting time and energy. It’s easy to get sidetracked by details and suddenly find yourself struggling in the long grass.

Taking a more philosophical approach helps you envision how smaller decisions will eventually fit into bigger ones, playing back your thinking. One way to ensure that you’re always on the right track is to step back, reflect and go back to your vision and big picture, and your broader horizon, and consider how minor tweaks might affect your future expansion plans.

They keep their emotions in check Your passion makes the difference as an entrepreneur to what you do, but never confuse enthusiasm with capability. In philosophy, you learn to detach from your emotions and make decisions with sound logic. As an entrepreneur, that’s a valuable lesson, since it’s easy to fall in love with a new idea, and overlook obvious flaws.

They dissect complex problems Einstein said, If I had an hour to solve a problem I’d spend 55 minutes thinking about the problem and five minutes thinking about solutions. This thinking highlights a skill that philosophers have mastered: the ability to break down complex problems into simpler ones.

As an entrepreneur, you’ll have to solve complex problems early and often on your startup journey. You’ll have a leg up if you can break the big stuff down into digestible pieces, rather than trying to solve it all at once.

Recently the philosophical approach of Stoicism has become an influence on entrepreneurial thinking. Stoicism is a philosophical practice considered to be a complete way of life. It focuses on these four core principles:

  • Make the best use of your time
  • Be the master of your emotions
  • Walk the path of virtue
  • Develop self-mastery

In the increasingly competitive, confusing and complex digital world, the key is stripping back the nonsense and keeping things simple and straight forward, it’s vital we focus on the signals and not the noise.

Stoicism reminds us that amidst this maelstrom, we are required to be mindful, fully present and aware, and exercise self-control, rather than being lost to emotion and lost to random thought processes. It can build the resilience and state of mind required to rebound from knockbacks.

The things you think about determine the quality of your mind, so lets look at the four tenets of Stoicism and how they impact an entrepreneur.

Make the best use of time Some periods of time are snatched from us, some are stolen and some simply seep away. Yet the most shameful loss is the loss due to carelessness – Seneca

Seneca reminds us to not waste our time because time is precious. In other words, live your life with intention and be the master over your time. Be clear with your intentions for the day and be firm on getting goals complete. Design your week in a way that makes sense for you

Be the master of your emotions The Stoics teach us that unpredictable things happen in our lives that we can’t control, but we can control how we respond to events. Responding (as opposed to reacting) requires you to be in control of your emotions and thoughts, and in control of your daily habits.

Entrepreneurs often have to figure out a way to make something possible within all the things that are impossible, and can’t waste time complaining or blaming because of deadlines to meet – we have too much on our plate to worry about that.

Take time to think before responding to pressure and avoiding immediate reaction is a difficult style to develop, but invaluable. If you’re frustrated with a business situation or a chain of events that is seemingly running away from you, close your laptop and go outside, calming your emotions will help you to think more clearly.

Walk the path of virtue As a startup entrepreneur, there will be plenty of ethical dilemmas in your company, requiring you to make difficult choices. Take a moment to think through the possible ways you could respond, and consequences. Cross out the negative responses and circle the positive ones. These are your virtuous reactions.

Develop self-mastery The Greeks famously called this form of self-discipline askesis. Seneca writes It is precisely in these days that we need to discipline our spirit… for the spirit gives the strongest proof of its resolve by not being attracted or distracted by pleasures which lead to self-indulgence.

Developing self-mastery and rigorous self-discipline enables you to become a master over your time and your actions, and can result in incredible helpful outcomes. Zeno said Man conquers the world by conquering himself. The core of his philosophy consists of virtue, tolerance, and self-control.

Entrepreneurs need to be able to achieve goals within specific time periods, they want to see quick results. That’s not to say you can’t have any self indulgence, though, we are human, but taking a more thoughtful approach adopting some of the lessons from Greek philosophers has merit. Instead of the usual headlong rush into getting stuff done, take a deep breath, open your mind and speak the future into being.

As an entrepreneur, if you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the start. However, if you believe that man can solve his own problems and is at nobody’s mercy, then as an entrepreneur you will probably write melodrama and romance.

Which takes me back to Corfu, August 1984. In the middle of a relentless hot sunny day, I relaxed under an awning outside of a cafe biting into a goat’s cheese and carrot marmalade sandwich, the Mediterranean sea breeze blowing gently, starting a discourse which has become a constant, lifetime conversation with a girl from Oldham. We danced outside the Vassilopoulos supermarket I recall, but that’s another blog.

Manchester entrepreneurs: Martin Hannett

Last week saw the 38th anniversary of Manchester band Joy Division finishing working with producer Martin Hannett on their second and final studio album Closer. For both the band and Hannett, it was career-defining work.

Closer was released by Factory Records on July 18, 1980, posthumously following the suicide of lead singer Ian Curtis, two months earlier. Today, Closer is widely recognised as one of the most significant albums of the early 1980s, with Hannett acknowledged as the architect of the dark, distinctive sound.

The songs on Closer were drawn from two distinct periods. The earlier guitar-driven compositions were written during the latter half of 1979, the album’s other songs were written in early 1980, including more prominent use of synthesisers, driven by Hannett’s burgeoning influence.

It’s an exercise in dark controlled passion, the music stands up on its own as the band’s epitaph. The almost suffocating, claustrophobic yet creative world of Curtis is evident in the lyrics, even more austere, haunting, and inventive than its predecessor, Unknown Pleasures. It is Joy Division’s finest work, a start-to-finish masterpiece, a flawless encapsulation of everything the group sought to achieve.

During the Closer sessions Hannett would go even further with his work refining Curtis’ vocals. Alongside working on Love Will Tear Us Apart, this took the music stylistically into something more sombre, subtle, whose lyrical content was in hindsight indicative of what was to come to pass two months later.

Young men in dark silhouettes, some darker than others, looking inwards, looking out, discovering the same horror and describing it with the same dark strokes of deeply meaningful music. The music and tonal production levels swoop up and down unpredictably, never standing still, never resting. The astonishing variety is schemed and architected by Martin Hannett, giving the music the space and the air it needs.

The album covers the Joy Division spectrum of that moment with a sense of morbid hopelessness. See it for yourself. Judge for yourself. But don’t take it too serious (we all take it too serious sometimes). Closer is breath taking music, a sharing of something. Created by Joy Division. Made by Martin Hannett.

James Martin Hannett (31 May 1948– 18 April 1991), initially credited as Martin Zero, was an English record producer and an original partner/director at Tony Wilson’s Factory Records. His distinctive production style utilised unorthodox sound recording and technology, and has been described as sparse, spatial, and cavernous.

Born in Manchester, Hannett was raised in a working class family in Miles Platting. He went to the University of Manchester Institute of Science and Technology, where he earned a degree in chemistry but chose not to pursue the profession. Hannett’s uncle was a bass player and gave his nephew a bass guitar when he was fourteen, sparking his interest in music. His production work began with home made animation film soundtracks, moving next to mixing live sound at local pub gigs.

Always a music head (he was forever rebuilding his hi-fi), Hannett found time to learn bass guitar, mix live sound, and work as a roadie. Eventually he would quit his day job to run Music Force, a musicians’ co-operative who booked gigs (including the iconic Manchester venue Band on the Wall), arranged PA hire, and also operated a lucrative fly-posting business.

Punk induced the birth of three significant record labels in Manchester: New Hormones, Rabid, and latterly Factory. Hannett was a founder of Rabid. He first attracted attention in 1977, when, as Martin Zero, he produced the first independent punk record, the Buzzcocks’ Spiral Scratch EP. Under the same moniker he produced early records by Salford punk poet John Cooper Clarke.

The rising producer first worked with Joy Division on two tracks contributed by the band to the Factory Sample EP, recorded in October 1978, then went on to do his career defining work with the band in 1979 to 1980. Thereafter, New Order, Magazine, Happy Mondays and The Stone Roses all came under his influence.

However, the death of Curtis hit him hard, and after Factory, Hannett’s career declined due to his heavy drinking and drug use, especially heroin. Hannett died 18 April, 1991 aged 42 in Manchester, as a result of heart failure. His headstone at Manchester Southern Cemetery pays him tribute as the creator of The Manchester Sound, a fitting tribute to a true musical visionary.

The truth is, without his spark of production genius, Joy Division could have ended up as just another ’80s post-punk band, and British music might have missed out on one of its defining sounds. So, what made Hannett one of the most entrepreneurial, creative and innovative Producers of his time, with a legacy and reputation that has endured almost forty years?

Be prepared to experiment.

Hannett’s production techniques incorporated new looping technology to treat musical notes with an array of filters, echoes and delays. Hannett had a collection of echo devices, which he had amassed and called his ‘bluetop echo and delay boxes’. He was ahead of the game technically.

Legend has it that he once forced Joy Division drummer Stephen Morris to take apart his drum kit during a recording session and reassemble it, with parts from a toilet. He reputedly had Morris set up his kit on a first floor flat roof outside the fire escape, and also in a cotton mill lift, seeking experimental new sounds.

He also built a device made to recreate the beats he heard in his head – which in turn came from the old air compressors in the huge empty and decaying Manchester factories.

Other favoured tricks in Zero’s sonic arsenal included reverb, phasing, compression, repeat echoes, deliberate overload, and the Marshall time modulator – anything, indeed, that created space, weirdness and sonic holograms. Hannett’s unorthodox and experimental production methods resulted in drum sounds mixed with synthesisers that were complex and highly distinctive.

Have high ambition – without compromise.

In the image of industrial Manchester, giving Joy Division that dark, empty, distinctive atmosphere, Hannett was obsessive in his attention to detail and quest for getting things right.

After making his name with Rabid Records, Hannett hit his stride with Tony Wilson’s Factory Records. The prolific partnership saw massive success, famously producing Joy Division’s classic song Love Will Tear Us Apart. Originally recorded in 1979, Hannett disliked the original version, as did frontman Ian Curtis, and it was redone in 1980. The process highlights Hannett’s search for perfection, particularly with percussion and vocals.

Drummer Stephen Morris recalls how Hannett called him back to the studio in the early hours of the morning to re-record drum sounds after spending the entire day creating the original sound. Hannett’s ambition was to be different yet worked on finishing the sound until he got it exactly as he wanted it.

Be relentless

As for Hannett’s studio regime, musicians were discouraged from entering his working area, or participating in mixing – if ever they dared.

Peter Hook, bassist of Joy Division and New Order described Hannett’s working style. Martin didn’t give a fuck about making a successful record. All he wanted to do was experiment. His attitude was that you get loads of drugs, lock the door of the studio and stay in there all night and you see what you’ve got the next morning. And you keep doing that until it’s done.

Hannett himself was unwilling – or unable – to define his trademark style: A certain disorder in the treble range? I don’t know, I can’t tell you. All I know is that I am relentless, I keep going until I find what I want to find.

Radio sessions aside, over the course of around eight separate recording sessions Hannett would produce every studio track released by Joy Division, including subsequent singles Atmosphere and Love Will Tear Us Apart.

Be a catalyst for others

Hannett felt able to adopt the sometimes confrontational role of catalyst in relation to ‘his’ bands. He just seemed to have the knack of putting everything in the right setting. He works in a totally different way to any other producer we’ve recorded with. He doesn’t even re-play the songs on the tape very much. He has it all in his head. He’s a weird bloke but we work really well with him. I had been stuck in a rut and I needed someone like that to show me some sort of light. Martin was just the right person.

Hannett’s unique blend of sound and chemistry lead to many labelling the producer a ‘musical alchemist’. It was almost alchemy. He was fascinated by chemicals and musical explosions, he was an alchemist of noise. It was his great gift and also his great curse.

This DIY approach to production was a hallmark of Hannett’s style, making a mockery of the megabucks music mogul-driven industry, reflecting the startup ethos and philosophy of Factory Records.

Hannett’s career embarked on a downward trajectory after 1982. For the rest of his time, his production work covered a disparate array of minor records, Sadly, by this time Hannett’s own drug habit was out of control, resulting in five years of narcotic exile, trapped in a chemical stupor.

As a Producer, Martin Hannett’s dazzling golden age was all too brief, lasting from the autumn of 1978 to the middle of 1981. Too leftfield and obsessive to sustain a mainstream career, and tied to his home city for long periods by drug dependence, Hannett was a musical entrepreneur and genius.

The Mancunian record Producer helped transform a defiant collective of musicians into an iconic collection of records on an iconic record label that brought the sound of Manchester to the masses. Described as petulant, moody, overbearing, a pain in the arse, he was a pioneer, he wasn’t messing about. Martin did it 100%.

Hannett rated Closer as his most complete production. Nearly forty years on, give it a listen. The untimely death of singer Ian Curtis in May 1980 hit him hard spiritually and mentally, and perhaps contributed to his subsequent decline. Be that as it may, the peerless Joy Division catalogue remains the body of work for which Martin Hannett is best remembered, a true innovator and entrepreneur of Manchester.

 

 

Put customer centric thinking at the heart of your business model

One of the great entrepreneurs of the C20th, Ingvar Kamprad, the founder of IKEA, died last month. He created a business, founded when he was just seventeen, that today has commercial reach and a cultural impact that very few consumer products could hope to attain.

Kamprad was an entrepreneurial schoolboy. He bought pencils and matches in bulk which he resold to classmates for profit, moving onto fish then Christmas cards trading. When he was seventeen, he borrowed money from his father – who was convinced that he was giving money for Ingvar’s’ studies – and opened IKEA, hatching the plan at his Uncle Ernst’s kitchen table.

Initially it was a mail-order furniture business, but facing a price war against his business, he flummoxed rivals by opening a showroom – the first IKEA furniture showroom opened in 1953 in Älmhult, Sweden, so customers could see and touch IKEA home furnishings before purchasing them.

To attract prospective customers, he also promised a free cup of coffee and a bun to everyone. Imagine his surprise when this modest event attracted more than a thousand people! Nevertheless, everyone got a cup of coffee and a bun. The idea of opening a fast food restaurant in each store was born.

Kamprad focus was customer centric, but specifically on a do-it-yourself ethic for customers – the company’s name was a do-it-yourself job, too, it stands for Ingvar Kamprad, from Elmtaryd (his family’s farm) in Agunnary, a village in the Smaland region of southern Sweden. His own motto, based on a strong work ethic, was that most things remain to be done, and he built this into the ethos of his customer offering too.

Kamprad’s impact on everyday living has rivalled that of Henry Ford and his mass-produced motor car. Furniture used to be costly, clunky and heavy, and you kept it for many years. For the cash-strapped and newly nesting, fitting out a home could cost many months’ salary. IKEA made domesticity not just affordable and functional, but fun.

Out went the hand-me-downs and junk-shop make-dos, in came the cool, tasteful, egalitarian look and feel of modern Sweden. Airy, sparse, uncluttered – a little bland maybe, but hard to dislike. The Billy bookcase is perhaps the archetypal IKEA product, dreamed up in 1978 by designer Gillis Lundgren. Now there are 60-odd million in the world, nearly one for every 100 people – not bad for a humble bookcase.

Light and bright, basic but cheerful, like the furniture, IKEA’s 400-plus outlets also run on the same central principle: customers do as much of the work as possible, in the belief they are enjoying the experience and saving money. You drive to a distant out-of-town warehouse. Inside, you enter a structured journey through a busy maze – the route is controlled, no shortcuts allowed – where every twist reveals new furniture, artfully arranged with cheerfully coloured accessories to exude a contemporary relaxed lifestyle.

The low prices make you buy, so you load up your trolley with impulse purchases that you don’t really need – a clock, a bin, plants, lampshades and more tea lights than you will ever use. You lug heavy cardboard boxes holding flat packed furniture into your car and reward yourself for your thrift and good taste with meatballs slathered with lingonberry jam. Then you drive home and assemble your prizes. You rejoice in the bargains and the variety of purchases.

There is no doubt that Kamprad reinvented the shopping experience with the product and the store, but Kamprad’s biggest innovation, and the cornerstone of his value proposition, was that consumer inconvenience was a problem worth solving. However, he approached it the opposite to most brands that build their reputations around a set of distinguishing positives and unique differences they provide for their customers.

By 1952, Ingvar already had a 100-page furniture catalogue, but had not yet hit on the idea of flat-packing. That came as he and his company’s fourth employee – designer of the Billy bookcase, Gillis Lundgren – were packing a car with furniture for a catalogue photo shoot. This table takes up too much darn space, Gillis said. We should unscrew the legs.

Kamprad realised that furniture could be flat-packed to significantly reduce the cost of delivery, which were among the product’s largest cost drivers, to make the customer self-service journey complete. Table legs are unwieldy, so why not just take them off?

Except, now every customer buying furniture has to assemble it – and there are many moving parts to some of IKEA’s complicated furniture items. From personal experience, there can easily be fifty or more steps involved in the construction of the piece, with an instruction guide that remains as confusing as ever. I’ve assembled many cupboards with nothing but an Allen key, metal bolts, baffling instructions and sweat. And swear words.

But Kamprad and his team knew that with the right price, product mix and user-centered focus, consumers would see IKEA as a destination shopping experience. Given the locations, they had to bring their cars anyway, and having self-selected their pieces, taking their purchases home made an attractive and complete transaction cycle.

They also understood that unlike a grocery store, furniture shopping is not a daily or weekly occurrence, and so people were comfortable investing significant time at the store when they finally did make the trip. That’s one of the reasons that IKEA has restaurants serving meatballs as simply, the more time consumers had in the store, the more they spent.

It seems trying to cram flat-pack furniture into your car, missing screws, and the ensuing marital tensions, haven’t been enough to put people off. IKEA has a 12% market share in the UK, outstripping rivals such as Argos, John Lewis and sofa retailer DFS.

So, Kamprad’s IKEA experiment focused on a simple, core value proposition – well designed, reasonable quality furniture at reasonable prices, supporting his vision ‘to create a better everyday life for many people’. He consistently developed and scaled, but the fundamental premise was to make customer experience the brand differentiator. Having grounded his business model around the customer, what are the other aspects of Kamprad’s entrepreneurial flair that we can learn from?

1.     Give your customers context

IKEA offered a completely new concept. It wasn’t just what they were selling that was different, but how it was selling it: You come here, you walk through this maze this way round, then you pick it up in the warehouse, and then you take it home, and you build it. It is a really prescriptive way of doing stuff where the customer has to invest time, contrarian ever more so with the advent of online shopping, but dictating a customer’s journey in this way had never been done before.

It’s this very journey of course that frustrates many of its customers, with the baffling warren of mocked-up rooms, floor arrows, and no glimpse of the outside world to help you orient yourself – is far from accidental. But the key to IKEA’s strategy is suggesting to the customer that they are in charge – they give you your own pencil, paper and trolley, there’s only a smattering of staff, and there’s no hard-sell from sales assistants.

Every IKEA store is a showroom, where not only sofas and cupboards are exhibited, but any little things of everyday life too – tablecloths, curtains, towels and candle holders. The visitor can see ten children’s rooms, and then twenty-five dining rooms or living rooms and so on.

Having imagined what a particular furniture set-up would look like in their own home, a customer can then go for it to the self-serve warehouse. The customer then transports the furniture in comfortable packages to his home and then assembles it by reading clear and sensible instructions.

As e-commerce scales, shoppers need incentive to come into stores. With its elaborate showroom and cafeteria, IKEA has become a unique destination for shoppers. While many retailers enter shopping centres hoping for traffic, IKEA is a standalone store that shoppers seek out with a specific goal in mind, as the context is made clear for them.

2. Understand the experience your customers want

Kamprad said that his vision for IKEA was a company that would make life easier for its customers. He built a furniture company, which acted like supermarket.

Most of us have gone to one of IKEA’s unmistakable giant blue and yellow stores, wandered through its carefully-designed if somewhat labyrinthine paths, tasted its Swedish meatballs and bought and assembled its modernist furniture. They attract us in the thousands. How? They understand the customers and the experience brilliantly.

IKEA designers are among the foremost anthropologists of home life. Designers create rooms for eight types of people, from four stages of childhood, through to ‘living single/starting out’, ‘living single/established’, ‘living together/starting out’ and ‘living together/established’. IKEA does endless research on each category.

IKEA also has ethnographers who conduct field research into the domestic life of different regions through home visits, interviews, and panels. While the researchers’ ‘Life at Home’ consumer insights research goes to the development of new products.

This makes the IKEA brand different. When you’re authentic about your distinctiveness, your passion will attract those who love your products and going to be a lot easier to build up your audience.

3.     Focus on getting good, not making it big

Kamprad focused on getting good at business before he tried to get big at business.  Many people want growth as their objective. The new web design agency wants to work for major companies, not work in relative obscurity while mastering his craft.

But if you only focus on short-term wins and results, then it can be very easy to get distracted from doing the work required to build the skills you need to grow and scale, and it’s the ability to scale that matters. The process is more important than the outcome at early stage startups. Focus on getting good before you worry about getting big.

Research of over seventy famous composers and revealed that not a single one of these musical geniuses produced a famous musical piece before year ten of their career. This period of little recognition and hard work – referred to as the ‘ten years of silence’ is very similar to the period that Kamprad spent selling matches before launching his IKEA vision.

4.     Don’t let your business model become stale

IKEA is beginning to respond to some of their most recognised customer frustrations. For example, you can now order some bulkier items online for home delivery, and they recently bought US start-up Task Rabbit, which helps you hire people to do flat-pack furniture assembly.

Responding to the growth in online shopping, it has also started experimenting with selling through other online retailers, and running directly counter to its original out-of-town model, also testing a smaller, city centre store format as well as order and pick-up points in town centres, as part of a wider push to become more accessible to shoppers.

Travelling to the out-of-town store, plus the long queues are, ironically, part of IKEA’s winning strategy. The experience is so time consuming that we tend to buy more to avoid having to return in the near future. However, giving the customer online options with the convenience, simplicity and control offers a different shopping experience, backed by the same product sentiment.

5.      Innovation can be about efficiency

The Billy is a bare-bones, functional bookshelf if that is all you want from it, or it is a blank canvas for creativity. It demonstrates that innovation in the modern economy is not just about snazzy new technologies, but also boringly efficient systems.

The Billy bookcase isn’t innovative in the way that the iPhone is innovative. The Billy innovations are about working within the limits of production and logistics, finding tiny ways to shave more off the cost, all while producing something that looks inoffensive and does the job.

Thrift is the core of IKEA’s corporate culture, you can trace it back to the company’s origins in Smaland, a poor region in southern Sweden whose inhabitants, like Kamprad, are “stubborn, cost-conscious and ingenious at making a living with very little”.

Innovation in IKEA is about efficiency, economy and effectiveness – recently designer Tom Dixon has joined forces with IKEA to offer a 28-piece modular furniture collection, perfect for adapting compact city homes to your needs – and all about the customer.

Kamprad’s forward-thinking customer focused strategy made IKEA the top furniture seller in the world, maintaining the customer-centric concept from its original foundations in every part of the company and its business model. It is the entrepreneurial eye for this business model innovation, and scaling the execution, that are Kamprad’s legacy for other entrepreneurs to admire.

Curiosity and innovation: the entrepreneurial mindset of Stephen Hawking

Stephen Hawking died last week aged 76, having battled motor neurone disease to become one of the most respected and best-known scientists of our age. A man of great humour, he became a popular ambassador for science and was always keen to ensure that the general public had ready access to his work.

He was a great scientist and an extraordinary man, whose work and legacy will live on for many years. His book A Brief History of Time – a layman’s guide to cosmology – became an unlikely best-seller although it is unclear how many people actually managed to get to the end of it.

Was it mere coincidence that he was born 300 years to the day after Galileo Galileo died, in Oxford on 8 January 1942? After gaining a first-class degree in physics from Oxford, he went on to Cambridge for postgrad research in cosmology. While at Cambridge, aged 21, he was diagnosed with muscle-wasting amyotrophic lateral sclerosis, a form of motor neurone disease, which was to leave him almost completely paralysed.

In 1964, his doctors gave him no more than two or three years of life, but the disease progressed more slowly than expected. However, Hawking was confined to a wheelchair for much of his life, and as his condition worsened, he had to resort to speaking through a voice synthesiser and communicating by moving his eyebrows.

He was renowned for his extraordinary capacity to visualise scientific solutions without calculation or experiment, as once he could no longer write down equations, theories had to be translated into geometry in his head. After a tracheotomy in 1985, the ocean of his thinking had to be forced through a cumbersome and narrow technological aperture. His words necessarily became fewer, and emerged in a voice that was both robotic, and curiously laden with emotion – and frequently humour.

Undeterred by his condition, from 1979 to 2009, he was Lucasian Professor of Mathematics at Cambridge – a post once held by Sir Isaac Newton. In his day job, it was Black Holes in particular that he studied. He gave his name to ‘Hawking radiation’, which was not observed in his lifetime, which was why he never won a Nobel prize, but the link it provided between the theory of relativity, quantum mechanics and thermodynamics was rich food for physicists’ imaginations.

He spent much of his career trying to find a way to reconcile Einstein’s theory with quantum physics, and produce a Theory of Everything, and it was this work that attracted most public attention and awareness through a successful film, with Eddie Redmayne taking on the role of the scientist in what was an inspiring biopic of Hawking.

He also impacted popular culture, staring in The Simpsons, The Big Bang Theory and Futurama, and became the only person to play themselves on Star Trek where he played poker with Einstein and Newton.

Those who live in the shadow of death are often those who live most. For Hawking, the early diagnosis of his terminal disease ignited a fresh sense of purpose. Although there was a cloud hanging over my future, I found, to my surprise, that I was enjoying life in the present more than before. I began to make progress with my research, he once said.

What a triumph his life has been. His name will live in the annals of science, millions have had their horizons widened by his best-selling books, and even more have been inspired by his unique example of achievement against all the odds, a manifestation of amazing willpower and determination.

Whilst we mourn the loss of one of the greatest scientists, creators and thinkers of C20th, here are a few things we could learn from this man about approaching the challenges in our startup businesses, based on some of the inspirational things he said.

Curiosity does not kill the cat Remember to look up at the stars and not down at your feet. Try to make sense of what you see and wonder about what makes the universe exist. Be curious. And however difficult life may seem, there is always something you can do and succeed at. It matters that you don’t just give up.

Why did Hawking reach such great heights? Because he never stopped asking questions. I am just a child who has never grown up. I still keep asking these ‘how’ and ‘why’ questions. Occasionally, I find an answer. Curiosity and asking questions can take you to new places, overcoming self-made barriers. Curiosity keeps you innovating, growing, and moving forward.

Time is your most precious resource I have so much that I want to do. I hate wasting time.

For someone whose life expectancy was supposed to be only 24 years, Hawking worked hard to make sure every minute of his life was used to create something great. Hawking proved time and again that life can give us great things if one is brave enough dream, believe and work hard.

In Hawking’s research about time, he remarked that it is impossible to turn back the clock. Never waste your time doing things that do not take you forward. Never waste your time doing things that do not help you grow.

Let nothing stop you from doing what you can do Intelligence is the ability to adapt to change.

Hawking’s inability to speak did not stop him at any point in his life. Adapting to the environment around you, and using it to reach your goal is the sign of intelligence. Minor hiccups should not stop you from moving ahead, adapt to the change facing you, reroute and move forwards.

My advice to other disabled people would be, concentrate on things your disability doesn’t prevent you doing well and don’t regret the things it interferes with. Don’t be disabled in spirit as well as physically.

Obstacles are inevitable and uncontrollable. What you can control is your ability to use your strengths, without focusing too much on the hurdles and roadblocks.

Have a purpose Never give up work, Work gives you meaning and purpose and life is empty without it.

Never be idle. There is always something that needs to be completed, find what you like and make it your driving force, your passion. When you enjoy doing something, it is no longer work. Don’t just keep the hands busy, keep the mind active as well.

I want my books sold on airport bookstalls, reflects Hawking’s humour, but passion for share his work. Hawking never took a day in his life, whether good or bad, for granted. He embraced life as it was and moved ahead, every single day. He advocated the mantra of living in the now and embracing the uncertainty.

Never give up It is no good getting furious if you get stuck. What I do is keep thinking about the problem but work on something else. Sometimes it is years before I see the way forward.

In the case of information loss and black holes, it was 29 years until Hawking had the answer he wanted. If there is just one take away from Stephen Hawking’s illustrious life, it is to never, ever stop trying. Give up and nothing seems possible in life. If he had given up right when he was diagnosed, then the world would have truly lost one of the greatest revolutionaries.

What a triumph his life has been. His name will live in the annals of science. Millions have had their horizons widened by his books. Many have been inspired by a unique example of achievement against all the odds — a manifestation of amazing willpower and determination.

Be an optimist There should be no boundaries to human endeavour. We are all different. However bad life may seem, there is always something you can do, and succeed at. While there’s life, there is hope. My expectations were reduced to zero when I was 21. Everything since then has been a bonus.

He had a very enviable wish to keep going and the ability to summon all his reserves, all his energy, all his mental focus and press them all into that goal of keeping going. Gone but never forgotten, Stephen Hawking’s demise will leave a vacuum in the field of science. But his research throughout the years has given physicists and cosmologists of today a path forward.

Humour is important to keep a balance The downside of my celebrity is that I cannot go anywhere in the world without being recognized. It is not enough for me to wear dark sunglasses and a wig. The wheelchair gives me away.

Hawking will forever be associated with the concept of Black Holes, a complex and intriguing mental challenge as any you can imagine. He had a searing intellect to converse with the most mentally demanding matters but communicate them to everyone:

Einstein was wrong when he said, ‘God does not play dice’. Consideration of black holes suggests, not only that God does play dice, but that he sometimes confuses us by throwing them where they can’t be seen.

Hawking tells me to think about what you’ve never thought about, but also to reflect that the most consequential ideas are often right under our noses, connected in some way to our current reality or view of the world.

Hawking constantly lived in the future. When we talk about taking time to reflect and ponder about the future and new ideas for our startup, this is exactly what we have to do. In Hawking terms, we need to work on the business, not in the business.  But don’t just sit there and daydream, think and picture the alternate realities – realities where what you are doing today is completely different tomorrow, in order to go and find the revolution before it finds you.

The world isn’t waiting for you to get inspired, you have to inspire it, and at the same time don’t let your doubts sabotage your thinking – there are far better things ahead than any we leave behind. We are all confined by the mental walls we build around ourselves, sometimes innovation starts with a critical decision to reinvent yourself and kick-start your thinking – a moment of truth, flash of brilliance or the end result of a bout of determined reflection to make a difference.

No philosophy that puts humanity anywhere near the centre of things can ignore the thinking of Hawking and its relevance to our everyday attitudes of hope, optimism and endeavour. All that remains is to huddle together in the face of the overwhelmingness of reality. Yet the sight of one huddled man in a wheelchair constantly probing, boldly and even cheekily demonstrating the infinite reach of the human mind, gave people some hope to grasp, as he always wished it would.

The message is that Black Holes ain’t as black as they are painted. They are not the eternal prisons they were once thought. Things can get out of a black hole both on the outside and possibly to another universe. So if you feel you are in a black hole, don’t give up – there’s a way out…

As a man who overcame such incredible obstacles and lived such a brave and amazing life, this advice couldn’t come from a better place.

Entrepreneurial heroes: John McGeoch

Music is the sound of the soul, the direct voice of the outer and inner worlds we inhabit. It triggers a mental reaction, our moods vibrate in response to what we’re listening too. We can set free profound emotions with the intensity with which music affects the nerves and impacts our consciousness, and at the same time uncovering the hidden sound by bringing silence to life.

The music I like is for me, the isolation of being in one’s own head is often the easiest way of losing yourself in the moment or to memories of past, feeling, life, motion and emotion, good and bad. Music that we feel in our marrow, that invites us into some other dimension of time, magnetises us to the present yet contains within itself all that ever was and ever will be.

When I first dropped a needle on the LP Real Life by Magazine back in 1978, I was hooked for life. Whenever I subsequently put it on the turntable, then the CD and now the digital file, I recall the advice given on the back cover of The Rise and Fall of Ziggy Stardust and the Spiders from Mars: To be played at maximum volume – and then I do.

Magazine are one of my favourite bands, not least because of their brilliant guitarist, John McGeoch. Yesterday was the fourteenth anniversary of his death, aged 48. He died in his sleep. His CV encompasses some of the most innovative, influential and respected music with a number of bands of the post-punk era, notably Magazine, Visage, Siouxsie and The Banshees and Public Image Limited.

Testimonies from leading guitarists today go some way to illustrate the extent of his contribution – Radiohead’s Ed O’Brien and Jonny Greenwood cite him as a ‘big influence’, John Frusciante of Red Hot Chili Peppers said that he taught himself to play ‘learning all John McGeoch’s stuff in Magazine and Siouxsie and The Banshees’, whilst Jonny Marr cites him as a favourite.

The late 1970s were a time of re-invention in British popular music, and McGeoch demonstrated a talent for expressive, textured chords and brooding rhythms. Born in Greenock, in 1955, John McGeoch moved to the Manchester area in his teens. In 1975 he attended Manchester Polytechnic, where he completed a degree in fine art.

In April 1977, he answered a small ad placed in a record shop by Howard Devoto who had just left the Buzzcocks after the Spiral Scratch EP and was looking for musicians ‘to play slow music again which would transcend the limitations of three-chord punk’.

Devoto found what he was looking for in McGeoch and the pair formed Magazine, along with Barry Adamson, Bob Dickinson and Martin Jackson. They made their live début at the Electric Circus in Manchester and their eerie appearance and moody sound caught the attention of Virgin Records.

In January 1978, the urgent, menacing debut single Shot By Both Sides made the lower reaches of the Top Forty while Real Life, Magazine’s seminal album début, made the charts. A great foil to Devoto and Formula, McGeoch shone in that setting and Magazine released a string of classic tunes, all co-written by the guitarist.

Howard Devoto created darkly literate songs of icy alienation, violence and psychological nonconformity. McGeoch, using flangers, a chorus effect and a percussive arpeggio technique to achieve his influential new sounds, complimented him perfectly. Nothing, and I do mean nothing else sounded like Magazine did when their remarkable album, Real Life, was released.

For such a young man, the prematurely-balding Devoto’s deeply cynical lyrics betrayed an intense and often-self loathing inner life. As a poet he was particularly adept at portraying insanity, social alienation and toxic anxiety. The music from McGeoch was simultaneously jagged and angular.

McGeoch played on Magazine’s first three albums, Real Life (1978), Secondhand Daylight (1979) and The Correct Use of Soap (1980). Truly, Magazine were one of the most instrumentally formidable bands of their day. McGeoch quit the band in 1980, shortly after the release of the third album, frustrated about their lack of commercial success despite being popular with music critics. Devoto subsequently disbanded Magazine, finding no suitable guitarist to replace McGeoch.

McGeoch moonlighted as a session musician with Bauhaus and Generation X before joining Siouxsie and The Banshees. It was with the arrival of McGeoch in early 1980 that Siouxsie’s imagination appeared to take flight on a series of rich and innovative records that confirmed the band as the progenitors of a genre of mournful, introspective music. It was arguably Siouxsie’s most creative and successful spell. He was easily, without a shadow of a doubt, the most creative guitarist the Banshees ever had.

McGeoch produced dense textures using a combination of signal processing, such as chorus and phasing, and a distinctive combination of picking and using open-stringed drones. When The Cure’s Robert Smith was drafted into The Banshees to fill in for an ill McGeoch, he struggled to play the guitarist’s complex parts.

However, McGeoch suffered a nervous breakdown due to the stresses of touring, and collapsed on stage at a Madrid concert. This marked the end of his time with the band. McGeoch then joined Public Image Ltd in 1986. McGeoch had been an admirer of PiL, particularly John Lydon’s lyrics. McGeoch remained with PiL until they disbanded in 1992, making him the longest-serving member apart from Lydon.

In 1992, McGeoch was invited by Björk’s Icelandic band, the Sugarcubes, to play guitar on their Stick Around for Joy album. After this, he gave up performing and trained as a nurse in 1995, and then lived in America for a decade, returning just before his death.

He was a distinctive player, greatly admired for his use of textures rather than his solos, but able to dream up dramatic riffs and chord changes and blistering fills. The Magazine track Because I’m Frightened and Spellbound by Siouxsie would have to be considered the ultimate performances for McGeoch, as he plays solos through both entire songs. A technical aspect of his style was creating the illusion that no part of his hands were ever moving, including his fingers.

John McGeoch was without doubt one of the greatest post-punk guitar players. The simple and subtle, yet tinkering on the edge type of playing was the perfect foil for Devoto’s lyrics, he inspired Siouxsie to new levels of creativity, and gave shape to Lydon’s angst and anger in his lyrics. I can’t think of another guitarist from that era who was as innovative as John McGeoch, the Mozart of his generation. So I keep listening to him

As an artist, how do you keep innovating and pushing the ambition? What can we learn from John McGeoch in terms of his thinking and attitude from an entrepreneurial perspective? Here are some of the best values of entrepreneurship and disruptive innovation that I see from him that should spark a startup.

Passion – do it because you love it John McGeoch wasn’t thinking of anything else other than personal fulfilment when he started playing guitar. He did it simply because he loved it, he had talent and gave it a go. Musicians often say they play for themselves first and that it is a choice by which they can earn a living. This is a basic principle that is common to successful entrepreneurs everywhere.

Open mindedness McGeoch’s work is drawn from a diverse range of influences. Their uniqueness is the product of constant change and combining existing elements in new ways, producing something entirely their own, with a prowess for throwing stuff together randomly to discover new combinations and possibilities. This ability to create genuine uniqueness is a key trait of an entrepreneur.

Restlessness & reinvention McGeoch never succumbed to the stick-to-a-formula mantra, each period in a new band he emerged with something completely new and unexpected. Not all of his experiments worked, but this willingness to try out new ideas, knowing that not all will triumph, is a trait every entrepreneur needs.

A clear dividing line between important work and busywork McGeoch wasn’t really productive, although his time with the Banshees saw him at his most creative. That to me says everything about busy work, and important work. McGeoch always sounded like someone in constant motion, each new release an agitation from the previous release, never resting on his laurels.

Stand for something, and be true to your purpose McGeoch was strong minded and did whatever he wanted but had a clear sense of purpose. He was shaped by deeply held personal and passionate values and remained true to them, quickly finding out that there are millions of people who shared those same values. Like a musician, put a tone of voice into your startup and stamp it with your personality.

Being different matters more than being better McGeoch became successful because he was different. He grabbed our attention. Rock stars have proven for years that being different – and getting noticed because of it – is more important than quality of music. Be different, stand out from the crowd. When opportunities don’t present themselves in a timely manner take calculated risks.

Don’t copy other people’s work Even if it’s just a chord sequence or a riff, take it and make something else. Just copying something is no good, unless you want to just be in a tribute band. It’s vital to keep playing around and pushing yourself in business, create your own product. Don’t be afraid to build a business or revenue model that plays to your strengths, even if it’s non-conventional.

Be your own image If you plan on getting noticed, establishing a brand promise, and creating an image is vital. John Pasche designed the ‘tongue and lips’ logo for The Rolling Stones in 1971, originally reproduced on the Sticky Fingers album. It is one of the first and most successful cases of rock brand marketing. McGeoch had his own style and image too – what’s yours?

Playing it safe gets you nowhere If you don’t take risks you’ll never excel. Playing it safe all the time becomes the most dangerous move of all. Deviate from routines. Rote activity doesn’t lead to the path of innovation or disruptive technology. McGeoch never played it safe.

His enduring appeal comes from the combination of swagger and delightful tunes, and memories of an on-stage presence. His tunes are always fine soundtracks to my life’s more dramatic moments locking together and producing some wonderful noise.

McGeoch teaches us that you have to be authentically yourself, to find what’s right for you, leading from your own place of uniqueness. Trying to be what others want you to be will lead ultimately to failure. You have to find what you do best, and find what is best about you.

The formula for his endurance is like a restless entrepreneur, never resting on their laurels, they retain the mix of uplifting, anthemic melodies with craftily serious lyrics in a business context. McGeoch was a talented, spirited man, driven, passionate and more than willing to rebel against the norm. And that’s what every entrepreneur does too.

You start to feel old when your heroes begin to die, albeit there may be some contradiction involved in speaking of heroism. It’s a term freighted with overtones of nobility and authority. But for me, John McGeoch was an inspiration as any entrepreneur with his spirit of innovation and creativity.

Entrepreneurial learning journey: the startup life cycle

So, you’re on the journey from idea to product, through startup to a high growth business. Each stage of the startup lifecycle brings a set of obstacles and challenges to deal with and overcome. You have to be alert and flexible in your thinking, adapting your strategy as you progress, different approaches are needed for each stage.

Your startup leaps through stages of growth just as our own human development lifecycle. Birth begins when we shoot out into the light. From there we learn to walk and talk, ride a bike and go to school. Having your first kiss, passing your driving test, casting your first vote…life is a series of milestones.

The story of your life, and life to be lived, is a series of chronological steps, so what are the parallel steps in your natural development and your start-up life journey?

Stage One – Being born: problem-solution fit

Birth marks the beginning of life free and independent of umbilicus, placenta and amniotic fluid. Yet perhaps life starts with conception, followed by the slow motion bloom of the foetus consciousness. What was the genesis of your startup, the moment of passion that created that ‘eureka’ moment?

Your expulsion from your mothers’ body jump-starts your being as a singleton, singularity stemming from the amorous clash of parental chromosomes, the emergence of a fresh life into a brand new day. Human birth is as romantic as that of any two startup adventurers first meeting – Jagger and Richards on a train platform, Hewlett and Packard at a family party, Jobs and Wozniak at a geeks club trading computer spare parts. Serendipity, chemistry and collision in both.

In response to Malvolio’s caption from Twelfth Night, some are born great, some achieve greatness and some have greatness thrust upon them, the birth of a startup is the start of a unique journey and a chance to make your mark. You’ve got your business idea and you are ready to take the plunge. But first you must assess just how viable your startup is likely to be.

In some ways, this is the soul-searching phase. It’s where you take a step back and experiment with the feasibility of your business idea, and also ask yourself if you have what it takes to make it a success.

At this point, ask yourself two questions: What problem am I solving? and Does my proposed solution solve it effectively? If you have a clear answer to the first question and a confident ‘Yes’ for the second, then you’ve got problem-solution fit, and a hypothesis, and it’s time to start testing your idea.

Stage Two – Learning to walk and talk: MVP

Learning to walk and talk are the next stages. Man crawls, walks upright and then resorts to a walking stick. Walking involves unconscious intent, nothing can halt the urge to stand up and move. Walking plots our journey in life, homo erects marks a triumph, four to two reprises Darwin’s evolution in a moment in time. When we stand up we join the same category as creatures as quirky as ostriches. George Orwell had the same opinion.

Of course babies’ first steps are theatrical, learning to walk usually takes place in a domestic theatre of relatives urging and applauding, capturing incremental advance on a camera for posterity. So it is with a startup, stumbling around, unsure of the initial direction, a sense of clumsy movement often falling over to pick themselves up again.

Making physical contact with another person means crossing the room, the feet enable the touching of hands, socialisation starts, as the first encounter with the first customer with your MVP. New language means a period of babble, a sound of nascent expression so subjective it leaves an infant stranded between private articulation and public incomprehension – so be careful your first articulation of your startup is a clear conversation, not babble!

This is the riskiest stage of a startup. Much of your time is spent going back-and-forth, tweaking your MVP based on feedback of your first pilot users. You’re just starting to walk and talk about your idea with potential customers and there will be noise and some trip up and painful moments too.

The purpose of this next step is to test your product hypothesis with the smallest possible investment of time and capital, hence, minimum viable product. You are proving demand and learning about customer behaviour, while minimising risk. Once you’ve validated your MVP focus on getting users into your product – it’s time to grow your customer base and get out into the market.

There is a big gap between what early adopters expect from a product, and what the bigger chunk of the market actually needs. The main reason behind ‘startup infanticide’ is the failure to identify and overcome this gap.

Geoffrey Moore’s Crossing the Chasm best describes the Grand Canyon that every adventurous entrepreneur must leap over to ‘get to the market’. The Chasm is the region of uncertainty a business goes through before it gets to product/market fit. And the shortest way to get there is by actively listening to the customer and implementing the promised features on schedule.

Stage Three – Learning to ride a bike: product-market fit

Learning to ride a bike is often the first learning process we undergo, creating a freedom of movement not experienced before. Learning to ride a bike, boyhood youth and summertime, it’s a defining activity of childhood. It has a giddy purposelessness to go round in circles, free wheeling without regard to why and where. It is about freedom of movement independently, mastery of technical domination of the machine keeping the handlebars steady and level, not breaking too hard and maintaining pressure on the pedals.

It’s also the mastery of self, getting your legs to do new things in conjunction with your hands and eyes. The bike gives you a chance to coordinate and bring chaos from order. Balancing on two thin discs of metal.

Yet the overriding sense you need when learning to cycle is embracing risk, as sooner or later the person pushing you has let go. Without getting into cycloanalysis, the moment of where conviction meets doubt is that leap of and the irrational jump from dependence to independence, from security to self-determinism, the madness of a decision the split second when reason must in the name of action go into suspense and you start to pedal away on your own.

For a startup, this is the moment of risk for product-market fit, winning customers to prove your value proposition. You’re now creating you own forward momentum, but as Einstein said, to keep your balance you have to keep moving, an epic contradiction from just a minute ago when to stay balanced you had to stay still, now you have to hurtle forward from safety to risk. You’re on your way, my boy, but keep those knee plasters readily to hand.

In a startup, now it’s about managing fear and doubt, not knowing to self-belief, just like learning to ride a bike you focus on the wide horizon in front of you, and you make something of it for yourself. The urge to dig in your heels and pedal hard, to cut an arc into this new panorama, but the freedom means you have to make decisions and with options of turning left rather than right.

With dad left behind you, shouting encouragement proud and panting, you are now off on your own. The peculiar sound of riding a bike, an auditory rush of inner silence, a paradoxical sense of self-esteem, random deviations for you to control your own direction and pootle about. Note to self: I did it.

It’s about creating trust with customers, building credibility through exceptional experiences. An engaged user community is the fastest way to get to any startup to the next stage.

Stage Four – Facial hair: scale

When I turned thirteen, I promptly grew a moustache. Well, not exactly, it was stubble, but the first shadows of facial hair grew rapidly and randomly, and it got me thinking back to that first shave at the onset of puberty. The rite of passage seems monumental, frisky hair sprouting up all over the frisky body.

While shaving may be new to teenagers, it’s been around a long time. As early as 3000BC soldiers would pluck hairs using two clam shells as tweezers. Alexander the Great encouraged his soldiers to shave so their hair couldn’t be pulled and twisted in combat. The word barbarian comes from the image of a man who was hairy and unshaven, basically unbarbered.

Beards are back and the ‘hipster’ style is alive and kicking, as a walk in Manchester’s Northern Quarter reveals. There are dudes sporting neatly trimmed Vandykes, as Charles I wore to the scaffold, or the sharp goatee of an old-time religionist, or even the waxed mustachios’ of villains from a Victorian melodrama. There are even a few with what I describe as the ‘Captain Birdseye’, a rampant bushy display, often resembling a mass of seaweed lifted from the beach and stuck on the face.

I have never been tempted from clean-shaveness save for occasional bout of laziness, I am too afraid of emulating Edward Lear’s Old Man With a Beard, who finds it has become a home to Two owls and a hen, four larks and a wren. For me, the constant dread would have been stray bits of piecrust lying dormant and wasted.

Startups in this puberty stage often see rapid growth as the business model is emerging and you build a repeatable customer process. It can still be a hairy experience as your conversion and retention rates bristle, but you’re growing up, it’s time to scale, by investing in people and process.

This is perhaps the most important stage in the lifecycle of a startup, getting to a point where customers can comfortably whip out their wallets and pay for the service they receive on a regular basis, scaling is a tipping point of capability and capacity.

Stage Five – Your first kiss: maturity

A first kiss, like Romeo and Juliet, the emotion and meaning, the climax of that tete-a-tete, the sensory neurons in the lips that fire off impulses to the brain. A kiss is a matter of delight, a delicious fluttering feeling of hope, expectation anxiety, curiosity, relief, abandon – this blog could be a sonnet.

The romantic idyll and wondrousness of Romeo and Juliet playing with each others words, fondling where formality mocks the courting protocols, and before you know it, it’s a snog without ending. Unlike mowing the lawn, there is not a natural conclusion to a kiss. A lust for life, as Iggy sang.

You can’t kiss and speak at the same time, rational speech is cut off as kissing opens a different mode of communication in a relationship. Although we can’t talk while we kiss, kissing eventually speaks volumes.

Understanding your position in the startup lifecycle as you hit maturity might help you keep your feet on the ground whilst metaphorically kissing a lot of customers. Now is not the time to get giddy, emotional and let your feet to leave the ground. However, it is the time to develop proper long-term relationships based on trust and value.

Not all startups will experience these stages of the growth lifecycle, and those that do may not necessarily experience them in chronological order – everyone’s biological clock has its own unique time line. Some see astronomical growth – for example Airbnb – whilst others’ jump to scale can be as painful as puberty where the hormones run wild, or a troublesome teenager where behaviour is unpredictable.

As John Lennon says, life is what happens to you whilst you’re busy making other plans. However, based on my experience, many startups will see a growth journey that has some resemblance to the stages defined above, and awareness may help you anticipate what is coming next, and how you can best prepare yourself.