Music is the sound of the soul, the direct voice of the outer and inner worlds we inhabit. It triggers a mental reaction, our moods vibrate in response to what we’re listening too. We can set free profound emotions with the intensity with which music affects the nerves and elevates human consciousness, and at the same time, brings silence to life, uncovering the hidden sound of silence and solitude.
The music I like is for me, the isolation of being in one’s own head is often the easiest way of losing yourself in the moment or to memories of past, feeling, life, motion and emotion, good and bad. Music that we feel in our marrow, that invites us into some other dimension of time, magnetises us to the present yet contains within itself all that ever was and ever will be.
We like music because it makes us feel good. In 2001, neuroscientists Anne Blood and Robert Zatorre at McGill University in Canada used magnetic resonance imaging to show that people listening to music they liked had activated brain regions called the limbic and paralimbic areas, which are connected to euphoric reward responses, like those we experience from sex, good food and addictive drugs. Those rewards come from a gush of a neurotransmitter called dopamine.
A surge of dopamine enlivens the brain with a pleasurable play of emotions, but it’s not the whole story. Our emotional response to music may be conditioned by many other factors too – if we are hearing it alone or in a crowd, for example, or if we associate a particular piece with a past experience – Temptation by New Order; Susan, they’re playing our tune.
So you have an epiphany that gives you goosebumps as your brain floods with dopamine. Over the years I recall when I first heard the opening bars of a number of Radiohead songs, and something just happened. I just felt this rush of emotion come through me. It was so intense. I had to concentrate on the song and the pleasure it gave me.
Like any business, a band is focused on new products and developing its fan base. As musical tastes change and new bands and sounds capture the imagination of the public, how does an established band like Radiohead keep their music fresh, so that it appeals to existing fans and yet at the same time grows their audience? It’s a challenge for any business.
Radiohead is an English band formed in Oxford in 1985 by five school friends. Initially the band were called On a Friday, the name referring to the band’s usual rehearsal day in the school’s music room. In late 1991, after a chance meeting between band member Colin Greenwood and EMI’s A&R representative at Our Price, the record shop where Greenwood worked, they signed a six-album recording contract with EMI. At the request of EMI, the band changed their name – Radiohead was taken from the song Radio Head on the Talking Heads album, True Stories.
Since their formation, Radiohead have been lyrically and musically spearheaded by Thom Yorke, the essential spark of innovation in the band. Yorke’s somnambulant ramblings and markedly individualistic performances cutting a strangely solitary figure, making him look like a man in the throes of a tortuous titanic confidence crisis. It’s all there in the songs, spooked, soul-baring millennial masterpieces. Yorke’s vocals trail through those atmospherics with angst and despair of a tortured performer.
Radiohead released their ninth album, A Moon Shaped Pool last year, an eleven track gem. As with each of the previous eight albums, it makes a statement about their musical influences and direction. Each has marked a dramatic evolution in their style, as they incorporated influences from experimental electronic music, expansive sounds, themes of modern alienation and C20th classical.
Radiohead are in many ways the Rolling Stones of Gen Y but without the ostentatious commerciality driven by the marketing machine. They are a serious band that make serious music, a touchstone for adventurous music, yet you have to actively listen to the music and the lyrics, they have meaning.
Just like Joy Division, they are seen by many as morose, gloomy harbingers of doom and introspective sensibilities, purporting monochrome view of the world. Not everyone’s cup of tea but for me there are toe tapping and sing-a-long moments a plenty. Something about Radiohead inspires a disorienting kind of hope.
So I keep listening to Radiohead. We all like music for different reasons – tunes, lyrics, live gigs etc., but for me Radiohead articulate a sentiment and voice that has something to say that resonates, be it political, a perspective on social conscience or simply a point of view, the nagging suspicion that some fundamental stuff needs shouting about and that someone else, somewhere else, needed help and that society should be doing do more. I guess it’s C21st protest music.
Nine albums in, thirty years together as a band, how do you keep your product innovation and keep pushing the ambition? What can we learn from Radiohead in terms of their business model, thinking and attitude from an entrepreneurial perspective, at a time when the music industry has been disrupted by digital like no other? Here are some of the best values of entrepreneurship and disruptive innovation that I see from Radiohead tat should spark a startup.
Passion – do it because you love doing it Thom Yorke wasn’t thinking of building a global brand and business when he started playing guitar. He did it simply because he loved it, he had talent and gave it a go. Musicians often say they play for themselves first and that it is a choice by which they can earn a living. This is a very basic principle that is common to successful entrepreneurs everywhere.
Put in 10,000 hours before you expect to make a difference Malcolm Gladwell talks about the 10,000-hour rule in his book Outliers. He states that to be good at anything, you have to put in 10,000 hours of practice to hone your skills. Radiohead were gigging for seven years before they released their first record; in business you have to craft and refine your offering before customers notice.
Radiohead are ingenious, wonderful musicians, and they really put the hours in, so much so, that Thom Yorke often complains of how physically draining it is making a record. That commitment is driven by inspiration, by determination, by hunger. That’s what we’re all after to make our startup different.
Open mindedness Radiohead’s work is drawn from a diverse range of influences. Their uniqueness is the product of constant change and combining existing elements in new ways, producing something entirely their own, with a prowess for throwing stuff together randomly to discover new combinations and possibilities. This ability to create genuine uniqueness is a key trait of an entrepreneur.
Each member of the band has also undertaken a series of independent, solo projects, collaborating with a range of artists. This builds a sense of both free-spirit and freedom yet unity, free thinkers who then regroup to do something together that is better, having had time to breath and explore individually.
Restlessness & reinvention Radiohead has never succumbed to the stick-to-a-formula mantra, each release has emerged with something completely new and unexpected. Not all of his experiments have worked, but this willingness to try out new ideas, knowing that not all will triumph, is a trait every innovator needs.
In 2007, when CD sales were taking a major hit due to illegal downloads, they offered their seventh album, In Rainbows, as a download directly from their website, avoiding all the middlemen, and let fans choose what they wanted to pay, including the option of nothing. About one third did choose the free option, but the average donation for the two months this offer was available was $8.00. It turned into a huge financial success.
Novelty Their passion for novelty and spirit of experimentation is a constant presence in their music, imagery and style, even when if it is critically maligned. Radiohead nurture and cultivate their audience through innovative online marketing – check outhttp://www.theguardian.com/technology/2014/feb/11/radiohead-polyfauna-app-iphone-ipad-android Paying attention to your customers is the essence of any business.
Build IP If you are an entrepreneur or aspiring musician, you have made the decision that you are someone that wants to make a mark on the world you live in, live by your own rules and create your own life. Your innovations and intellectual property are your lifeblood. Radiohead are shrewd and carefully manage their IP, the copyright to their songs and music is the greatest revenue earner from licensing.
Yet, they’ve worked without a record deal since leaving EMI in 2003, in an effort to ‘get out of the comfort zone’, and maintain their independence. They must be the best unsigned band in the world. Their last three albums have been released by independent label XL Recordings.
A clear dividing line between important work and busywork Radiohead are not productive – nine albums in thirty years, two in the last decade and five years prior to the last A Moon Shaped Pool. That to me says everything about busy work, and important work. Radiohead have always sounded like a band in constant motion, each new release an agitation from the previous release, never resting on their laurels.
It’s about the team Each member of Radiohead is a talented musician in their own right, everything is balanced and nobody gets into overdoses of egos. It always seems like they’re one step ahead of the game, not to mention that their popularity hasn’t really got in the way of creativity. They have not exactly mellowed with age, either. Most of their songs come about through improvisation, and from chaos and noise you suddenly get some music.
As time marches on, Yorke looks a little like Ming the Merciless reborn as a compassionate yoga instructor. Although their commercial peak maybe behind them, Radiohead continue to release new albums that are liberally sprinkled with strong songs. Unperturbed by changes of fashion, these albums sell to faithful fans who actually pay money for music, almost an anachronism in the age of digital downloads and Spotify.
The formula for Radiohead’s endurance is like a restless entrepreneur, never resting on their laurels, they retain the mix of uplifting, anthemic melodies with craftily serious lyrics. Amazingly now in their fourth decade, their enduring appeal comes from the combination of swagger and often fragile words and on-stage presence. Their albums are always fine soundtracks to life’s more dramatic moments locking together and producing some wonderful noise.
I know they are an acquired taste and not everyone’s cup of tea, but people like Thom Yorke are intrinsically motivated to innovate their craft, and reflect the guile, graft and learning journey of any entrepreneur. Yorke is a talented, spirited man, an aggrieved, affronted isolated figure whose rage was borne of annoyance at the status quo. He is driven, passionate and more than willing to rebel against the norm. And that’s what every entrepreneur does too, to do their own thing and make their mark.